Billy Kaplan? Maximoff? The answer is a little more complicated that you might have expected.
Recap
The Teen is William Kaplan, and three years ago, it was the day of his bar mitzvah. During the celebration that follows, William goes into the tent of a fortune teller who is part of the entertainment: It’s Lilia. She notes that he has a broken lifeline, not an uncommon occurrence, but one that she feels is relevant—something frightening is in this young man’s future. She tells him to live in the moment, but once he’s left, she creates the sigil and slips it into his jacket pocket. She promptly forgets that she’s done this. Suddenly, the bar mitzvah party has to end: The bubble encasing the neighboring town of Westview is beginning to collapse, and everyone needs to return home for safety reasons.
William’s family is distracted by the changes to the bubble as they’re driving home and wind up in a car wreck. William appears to be dead, but once the Westview bubble is gone, he wakes, calling for Tommy. Alice, currently a police officer, arrives on the scene and tells William’s parents (Maria Dizzia and Paul Adelstein) to keep him still until the ambulance arrives. William has developed amnesia and doesn’t remember his life before the crash, but the doctors insist that he’ll be okay. He notices that he can hear people thinking when their emotions are heightened. He’s eventually released home and heads up to his old room, trying to recall something of his life and who he is. Three years later, William is making out with his boyfriend Eddie (Miles Gutierrez-Riley), and admits that he never recalled his past from before the accident—he just pretends he has to make his parents more comfortable.
William wants to tell Eddie the truth, so he shows him everything he’s pieced together about the Westview bubble, which most of the public believes was just an “Avengers training incident.” William has figured out that there were runes on the bubble and magic at play. He’s been talking to a former Westview resident online about this and is supposed to go meet the man. He asks Eddie to go with him as backup, and Eddie agrees. They meet with Ralph Bohner (Evan Peters), who is extremely erratic, but tells them about his time being mind-controlled by Agatha and watching what Wanda did to the town. He tells them about Wanda’s family, and how both Billy and Tommy Maximoff disappeared following the events. He also tells them that Agatha is still in Westview.
William—now certain that he is Billy Maximoff—goes home and starts searching for information on Agatha Harkness. He finds out that she’s reportedly the only witch to have ever survived the Witches’ Road, the place referred to in the song he has on record by Lorna Wu. Thinking that this might be the key to finding his brother, Billy heads into Westview to find Agatha, stealing her locket in order to break Wanda’s spell. We see the “cop show” premise from outside Agatha’s mind, and how Billy keeps trying to break through to her, finally managing it with the spellwork.
In the present, Agatha emerges from the mud to talk to Billy. Jen and Lilia are gone, and he asks her how long she’s known who he was. Agatha admits she suspected from the beginning. They learn that the sigil has finally been destroyed and Agatha teases Billy about what he truly wants on the Road, figuring out that he’s looking for his brother. She tells him that she’s still needed for this quest since Billy is not fully in control on his abilities and she already has experience with this. The two continue toward the final test on the Road.
Commentary

There are a lot of great choices made by this episode, so let’s get into them.
First, the choice to make William Kaplan Jewish is important on several fronts: Billy Kaplan is Jewish in comics text because, according to the most common backstory, Magneto is the father of Wanda and Pietro Maximoff. So while we have no indication that the Maximoffs of the MCU have this lineage, the choice to make the life that Billy overtakes one of Jewish descent effectively keeps that background for the character.
It’s also excellent because it allows them to use William’s bar mitzvah as the springboard for all these massive changes, which is both textually accurate—according to Jewish law, William has become a man and is now responsible for his actions—and a great way of having all these bits and pieces coalesce at once. The presence of Lilia makes perfect sense; it indicates that William is into witchy/magic things well before Billy drops into his body, and it’s common for parents to engage entertainers for bar or bat mitzvahs that play into their children’s interests. Fortune tellers aren’t uncommon in this at all.
There’s also receiving the aliyah at the bar mitzvah, where the young man/woman/person in question reads a portion from the Torah before their community and sometimes discusses their reason for choosing the passage, and what lessons they believe are present in the text. William appears to be reading a passage pertaining to Nadab and Abihu, sons of Aaron, who were struck down for bringing “alien” fire into the community’s offering to God. I’m guessing not too much thought was put into this choice at the scripting level aside from “two brothers who get in trouble with the Almighty for going off-book,” but it makes me wish we’d heard William’s thoughts behind choosing this passage. It’s one that tends to divide scholars and students in terms of the reasoning behind their deaths, and I’m curious as to what William made of the story.
The idea that William and Billy are in some ways aligned brings up a lot of questions for me, including how much of Billy’s person is suffused with William’s in some way. In this version of events, Billy hasn’t actually been “alive” for that long—when he enters William’s body, he was essentially “born” in Westview a few weeks ago? Days? Which makes me assume that there are plenty of parts to William’s person that Billy accidentally absorbed just by virtue of occupying his body. For instance, I get the impression that William probably already knew he was gay, which then makes it possible that Billy’s queerness doesn’t entirely originate with him. And I love that, in concept? This idea that we don’t really know which parts are which, and how that must feel to Billy, who still can’t remember William’s life before he arrived.
I also love the juxtaposition of Billy and Eddie’s relationship to Agatha and Rio’s because it’s great to find multiple queer relationships in a story, but moreso when those relationships show a range of possibilities for queer romance. Billy and Eddie are so very young and sweet and figuring things out, next to Agatha and Rio’s ancient and forever toxic, fighty antagonism. I know which one I prefer, but queers deserve multiple options at once, and we don’t often get it.
We have the return of Ralph Bohner, whose identity was disappointing to me in how WandaVision played it out, but damn if it isn’t great to watch Evan Peters mess around in the part. There’s also Agatha’s “Bohner Family Reunion” shirt later in the episode, so there are endless gifts on this one. And the jokes about his online handles. If he’s going to be a punchline in this iteration, that’s pretty much the only way to deal with it.
But the best part is that we finally get to see exactly how Wanda’s spell had Agatha interacting with Westview, and the answer is so much better than I’d hoped. She’s just out there fully hallucinating her surroundings with every scene, and roping her neighbors into it despite the fact that they have no idea what she’s dreamt up. From the outside, it looks like the worst overacting possible, and Hahn doesn’t back down for a second. They seemingly let Joe Locke break on camera during the phony interrogation and why not? It’s easy to believe that Billy wouldn’t be able to hold it together either.
So that’s the backstory of Billy Maximoff. I’m admittedly not very interested in finding Tommy—he’s the least interesting of Wanda’s kids by far—but it makes sense that that Billy would want back the only member of his family that might be out there somewhere at the moment. Hopefully they won’t have to overtake another body to get him there.
Tarot Readings and Witchy Thoughts
- I know they didn’t want to recast William for the bar mitzvah scenes, but it’s very silly to have a twenty-year-old playing thirteen—which was true for all the other kids at the party, for that matter. Thirteen-year-olds are tiny! They do not seem like young adults at all!
- There are posters for things that Disney either has rights to or require no rights for on William’s wall, with a couple exceptions. The most noticeable one is a poster with a pirate ship for a movie called The Goofballs—clearly meant to be an alt-universe version of The Goonies.
- The bits of Agatha’s history that Billy finds online are very 2005-Doctor-Who in their photoshop silliness and joining Agatha up with amusing historical events.
- Really do love that Agatha attempts to wipe some of the mud/pitch coating off of herself once she’s emerged because that’s the thing that folks don’t usually do in movies or TV and it drives me nuts? Who is cool just wandering around coated head to toe in slime, it’s too distracting.
We’ve only got two more weeks. The end of the Road is near.
Actually, if they follow Marvel comics story for Tommy, that ought to be interesting. If I remember correctly, Tommy (as Tommy Maximoff) started from him being incarcerated in juvie for youngsters with powers. Him being locked up either in government lab or psychiatric facility (especially second) will play to whole Holloween theme of Agatha All Along.
Wasn’t there a brief glimpse of Agatha & Billy in a psych ward in one trailer?
Even though I pegged him as Wanda’s son well in advance, it was still a treat to see this episode filling in the blanks. It was fun not only seeing the events of the WandaVision finale playing out from a different viewpoint, but also seeing what Agatha’s over the top True Detective/Mare of Easttown playacting would look like to outside bystanders.
I guess it makes sense to make this show as satirical and fun as it can be, because the overall story is as tragic as Wanda’s own history of loss and mental breakdown. Billy Kaplan’s death is nothing less than that. I actually wish Billy Maximoff would have taken a little longer to wake up inside his body, just so we could grasp the immense sudden loss that it would have been for Billy’s parents. That car crash was just brutal.
Interesting that the spell preventing Agatha from being found or even remembered seems to also clamp down on internet search engines. It took Billy a while to circumvent those gaps and restrictions.
I really should’ve rewatched WandaVision before this. I didn’t recognize Fake Pietro, then I thought briefly that it was him, then I convinced myself it wasn’t.
I was just thinking how I’m not crazy about the trend to do a full flashback episode in the middle of a serialized season (though I can’t remember what the recent example was that particularly annoyed me), so I was glad this one turned out to be only mostly flashback and then had some payoff in the present.
They found an interesting way to simplify the comics backstory about Billy and Tommy being reincarnated. Instead, Billy’s soul just possessed William Kaplan at the moment of his death in proximity to the Westview dome. Something similar may well have happened to Tommy. Although it’s unclear how Billy’s soul entering a mortally injured body would heal its injuries well enough to make it viable again.
I noticed that Billy seemed too old in the bar mitzvah portions, and I was wondering if that would turn out to be, not a straight flashback, but some kind of subjective memory he was having with his present self substituted for his past self. But apparently not.
I’m a bit disappointed that there was no clarification on whether she was having police-drama delusions all along. Fake Pietro seemed to say that she was just acting like a normal Westview resident since Wanda left, so if the delusions started 3 weeks before Billy arrived, there’s still no explanation for why things suddenly changed at that specific time. The line in episode 1 about Agatha starting a “true crime kick” 3 weeks before seems to be a reference specifically to the True Detective-style delusion, since that phrase doesn’t refer to detective fiction in general but to nonfiction reporting on real crimes presented as entertainment. So it could have meant that she was jumping through detective-TV delusions from successive decades like Wanda did with sitcoms, which makes more sense to me than just having a normal life as Agnes for a couple of years and then inexplicably starting to hallucinate a detective drama 3 weeks before the series.
Christopher Bennett writes:
I was just thinking how I’m not crazy about the trend to do a full flashback episode in the middle of a serialized season (though I can’t remember what the recent example was that particularly annoyed me)
Possibly Acolyte. It had two such episodes if I remember correctly.
Yes, that’s the one.
People have speculated that the purple room in the trailers where Agatha is grabbing Billy’s head is a morgue. Now that Tommy is in play, is he somehow in or linked to Billy such that Billy, with Agatha’s help, can put him into one of the bodies? Eastview/Westview are such small towns, it’d be difficult to explain 2 teenage boys on the brink of death at the exact right moment when the hex collapsed.
“…according to the most common backstory, Magneto is the father of Wanda and Pietro Maximoff. ”
But isn’t the Jewish faith a matrilinial one, not patrilineal?
Orthodox are the ones who get really strict about matrilineal desxcent, in Reform they will usually work around it. Even so, that’s usually why the conversation about converting comes up when you marry a non-Jew, so that any kids will automatically be considered Jewish.
Wanda and Pietro are always portrayed as having a Romani mother, but fun fact- during the rise of Nazism in Germany my Jewish grandfather told everyone he was Romani (to explain the non-Aryaness) before joining the Foreign Legion and getting the heck of Germany while he could. So maybe it was like that, and Pietro and Wanda were more Jewish than they thought.
Though probably it just worked out the way it does in real life and the kids have to convert to make it all official even if they have been raised Jewish the whole time.
I grew up in a small town that was mostly Irish- and Italian-American. My dad’s side of the family is the former; mom’s are Sephardic Jews who, like pretty much everyone at synagogue, could pass as the latter.
“But isn’t the Jewish faith a matrilinial one, not patrilineal?”
Yes, and the Maximoff twins’ mother was established as a Romani woman named Magda (who died in childbirth with Pietro and Wanda being raised by the Maximoff family in the fictional Balkan country of Transia), but, setting aside the various revelations and retcons about their dad being the man who became Magneto, Billy was reincarnated into the body of William Kaplan in the comics, as well, both of his parents Jewish; I don’t think Emmet’s statement “Billy Kaplan is Jewish in comics text because, according to the most common backstory, Magneto is the father of Wanda and Pietro Maximoff” really holds.
I found the Ralph Bohner stuff a bit too goofy, which may not be entirely down to Evan Peters.
Billy says that he’s William Kaplan three times facing the mirror — not without variation in phrasing, granted, but I had to wonder if that was a conscious choice by the writers to evoke the Jewish tradition of speaking an oath three times for it to be truly meant. (I just stopped myself from a massive digression on rationales for this.) Of course, Judaism isn’t alone in such a paradigm; cf. Beetlejuice, or the acceptance of marriage vows in Muslim tradition, as I learned from Ms. Marvel.
We see a text from Eddie reading “you’re my [black heart],” an emoji matching what Lilia drew on the list she gave Agatha.
Brujapedia is a fantastic name. I wanted desperately for it to be real, but right now there’s just a placeholder at the .com domain.
I have to confess that I don’t exactly get why Lilia gave the sigil to William, so I hope we’re not to fully understand yet.
Since the sigil made Lilia immediately forget what she’d seen in William’s future, it’s possible she did it to protect herself from the consequences of discovering something she shouldn’t have known, e.g. being killed by the bad guys to silence her.
If so, the sigil feels like a very artificial way to create a mystery about Billy’s identity. It’s rather anticlimactic.
What I’m more puzzled by is the coincidence that William/Billy encountered Lilia and Alice, listened to the song by Alice’s mother, and watched a video of Jennifer even before he sought out Agatha. Is this some hint that he’s somehow warping reality around him (even retroactively with Lilia), or that Destiny is involved somehow? Or is it just a bunch of Dickensian coincidences so the regular cast members can get paid for appearing in the episode?
“If so, the sigil feels like a very artificial way to create a mystery about Billy’s identity.”
Yeah. Since there was rampant speculation that he was Billy [Maximoff/Vision/Whatever] / William Kaplan online anyhow, which surely would’ve been anticipated, then letting him call himself William — or Bill or Billy or Mac or Buddy :^) — could’ve played nearly the same as the muting sigil at least amongst fans and probably to Agatha herself, still possibly a feint in some way. I don’t recall if there’s been a mention on the show of true names having power, often a trope in sorcery, but he wouldn’t have to give his family name. Maybe said trope is why Lilia slipped him the sigil for protection, though.
Hmm, yeah, I suppose that calling himself William wouldn’t have been a giveaway, since it’s a common name and Agatha would’ve had no reason to believe that Billy Maximoff’s soul could have somehow survived and possessed someone else’s body.
As I mentioned, though, I get the impression that Lilia was trying to protect herself by wiping her memory of something too dangerous to know. Both from the vibe I got from the fortune-telling scene, and from my general impression that she’s not particularly inclined to altruism. So there may be a better reason for the plot point of the sigil than just creating an artificial mystery for the audience.
Going out of their way to use the cast to pay them? In TV? Nahhhhhhh. There’s intertwined Destiny involved….
If they were under contract to appear in a certain number of episodes, they’d have to be written into that many episodes. It happens all the time in TV, so I don’t know why you’d think otherwise. Look at all the Star Trek: TNG or DS9 episodes where the plot focuses on just 2-3 characters, but every other main-title-billed regular shows up for one scene and gets a few lines before vanishing for the rest of the episode.
Granted, modern streaming shows often contract their actors for less than the full season and only use them in episodes where they’re needed. It’s easy to see in MCU series’ main titles when there are gaps reserved for the names of actors who haven’t shown up yet or are skipping an episode. So yes, it’s possible that they were included for plot-relevant reasons. But I’m not prepared to rule out the alternative.
For ongoing series, I think it’s more likely to write a cameo in. For essentially a mini-series, I take it as less likely, particularly since Aubrie Plaza wasn’t included (and this was a show designed to be cost effective, after the face plants of previous works).
“I’m not interested in Tommy, ” to be fair, Emmet, neither is Marvel. whenever they do storylines with the two, it’s Billy who always get the most interesting plotlines. sometimes, i feel bad for Tommy.
I had not expected this show to be such a tightly connected sequel to WandaVision. But they are doing a great job of it. I enjoyed watching Agatha’s cop delusion and seeing how detached from reality she was. And Billy’s bar mitzva and backstory was very well constructed.
I do hope Patti LuPone returns. She is to good a character to simply leave behind in some random mud puddle.
Something to note: William Kaplan would most likely not have specifically chosen the Torah passage. That would have been determined by the date of the mitzvah. Also, it was a bit jarring that he didn’t chant the passage. One does not simply read the Torah aloud.
I had a Reform bat mitzvah. I didn’t chant the Torah portion; I read it. I did chant the Haftorah. So that actually made this whole scene plausible to me, because this was likely a Reform service. Possibly Conservative or Reconstructionist, but most likely Reform. But yes, he would not have chosen the passage.
Definitely agree on the boys being tiny at that age, though. Most Reform synagogues have the bar and bat mitzvah kids up on the bimah for the High Holidays to read some of the Torah portion. The girls tend to hit a growth spurt first, so they tower over the boys in their age group.
I noted the same but chalked up the chanting vs. speaking, at least, to different congregations perhaps having different customs. Still felt more authentic than most scenes of services like that.
Minor brainstorm…maybe Wanda used pieces of her own soul to create Billy and Tommy? And that would be a possible key to her resurrection?