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Amy’s Sunflowers: How Doctor Who’s “Vincent and the Doctor” Helps Me Mourn My Best Friend


Amy’s Sunflowers: How Doctor Who’s “Vincent and the Doctor” Helps Me Mourn My Best Friend

Home / Amy’s Sunflowers: How Doctor Who’s “Vincent and the Doctor” Helps Me Mourn My Best Friend
Column Doctor Who

Amy’s Sunflowers: How Doctor Who’s “Vincent and the Doctor” Helps Me Mourn My Best Friend


Published on April 22, 2020

Screenshot: BBC
Amy Pond (Karen Gillan) surrounded by sunflowers in Doctor Who
Screenshot: BBC

“Does the name Vincent Van Gogh ring a bell?”

“Don’t mention that man to me…he’s drunk, he’s mad, and he never pays his bills.”

When this episode of Doctor Who begins, we laugh at the absurdity that this restaurateur would reject one of the most famous paintings in the world because the man trying to hawk it was a bit of a drunk. Any of us would accept this piece, even if we’re not personally fond of the man’s work. We know its value, which is: practically priceless.

[Content Warning: this essay includes discussion of mental health, schizophrenia, and suicide]

The episode tells a fictionalized version of Vincent Van Gogh’s last days before his deepest plunge into depression. I personally like to think it happened this way, not because I love the Doctor and Amy, but because this would mean that the art darling would have known that he was loved, despite all the agony he experienced and the fact that he only sold a few paintings during his lifetime.

Van Gogh suffered from mental illness, though he was simply diagnosed as having “madness and an attack of fievre chaude (hot fever),” or being insane, according to fellow artist Paul Gaugin, who briefly lived with Van Gogh in the Yellow House.

When this episode of Doctor Who came on, something I had lost hope in ever happening finally did.

Vincent Van Gogh faced a monster that no one else could see—except the few who looked closely at the man’s painting of The Church at Auvers.

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The Madman with a Blue Box noticed this tiny, strange face and hurried back in time to discover the origins. What he found was a man driven mad by mental illness, depicted so aptly as an invisible monster.

“No one ever buys any of my paintings or they would be laughed out of town,” Vincent tells the Doctor, with all those around nodding in strong agreement. The implication that Van Gogh would be run out of town is clear. And, in real life, he was, thanks to a petition signed by the residents of Arles.

The scene brought me back to a night in 2014 when I received an unexpected phone call. “I have to tell you something about Elizabeth.”

Receiving strange news about my friend Elizabeth wasn’t that unusual, though it was uncommon for her mother to call at that hour.

Seven years prior, Elizabeth had been diagnosed with schizophrenia. She heard voices that told her to do things that weren’t good for her. Hallucinations scared and confused her. When she read her favorite book of the Bible, Romans, she believed that God was speaking personally to her.

“God is telling me to kill myself,” she told me on more than one occasion. “I don’t know if I want to. But I want to obey God.”

“God is not telling you to kill yourself, I promise. He doesn’t want that.”

This beautiful girl I’d known since 2002 was no longer the “sunshine girl” of my memory. She was still Elizabeth—the girl with whom I had started a homeless ministry in college and backpacked Russia and Europe—but she was not like the Elizabeth I had known.

My best friend was ill. She felt broken. Devastated by what she thought was God commanding her to do something she knew wasn’t right. But the voices were relentless.

Some days, she called to ask me whether or not she should drink water or if food was the answer to hunger. Other days, she seemed more like herself, speaking of family and relationships that weren’t colored strangely through the lens of her mental illness.

These voices—and the medications she took—changed the way her brain processed information. The illness changed the way she viewed the world. Our conversations no longer revolved around Jesus, missionary work, and the arts. Now, our conversations were filled with hurtful words.

It felt as though the illness filled her with anger, depression, and confusion. Our relationship suffered and eventually was severed in 2011 when the unhealthiness became clear to both of us.

We parted with these words:

“You are my best friend. Nothing will ever change how important you are to me. Nothing will ever make me love you less. If there’s ever a time you need me, I am here. I love you. I will always love you.”

Elizabeth (L) and Rita (R)

For the next two years, we checked in with each other via mutual friends. Her mother or sister would give me an update or call if she needed something. In 2013, Elizabeth stopped taking her medications and often abandoned her car in parking lots, slept in parks, skipped meals on the regular, and didn’t use the financial vouchers or money she had to take care of herself.

By Autumn of 2014, I had no idea where she was. Occasionally, sightings by family and friends were shared, but none of us knew where she spent her days. Until the night of September 11, 2014.

“She was outside a restaurant. People were afraid of her erratic behavior. They called the police on her.” The broken sentences crackled over long-distance to Chicago. “Rita, she’s gone. They don’t know what happened. They took her to the hospital. She’s gone.”

At first, I listened to her mother in shock. Both Elizabeth’s mom and sister called me that night. I needed to love and support them. My mourning would have to wait.

When I hung up, I didn’t know what to think. Or feel. Elizabeth had been suffering for seven years. She hated this life with schizophrenia; she had told me so often. She had done things to hurt herself, turned her back on the dreams she’d had of becoming a missionary to Russia, and turned away from the God she so loved.

I felt relief. And then guilt for feeling that relief. I was glad her suffering was over, but should I be? The question haunted me for years, as I struggled, unable to mourn my best friend. That pain remained balled up tightly in a numbness that I—the girl who can cry on cue—had not been able to express.

In the episode, the Doctor found Vincent lying in bed, curled up and crying. Flashes of 2007 came back, reminding me of the nights after Elizabeth’s diagnosis. She would call in the mornings and I would spend the day helping her with tasks. Brushing teeth, drinking water, combing hair all had become burdens for Elizabeth. At the end of each day, I curled up in a ball and wept for her.

Vincent’s tears gave voice to my grief.

Amy Pond gave sunflowers to Vincent, hoping they would inspire more paintings. The Doctor took him to the museum where the gallery of Vincent Van Gogh’s work drew thousands of visitors a century later.

Vincent Van Gogh visits the Musee d'Orsay in Doctor Who
Screenshot: BBC

With Vincent standing near, the Doctor asked the curator, “Between you and me, in a hundred words, where do you think Van Gogh rates in the history of art?”

“Well, big question, but to me, Van Gogh was the finest painter of them all. Certainly…the most beloved…He transformed the pain of his tormented life into ecstatic beauty…To my mind, that strange, wild man who roamed the fields of Provence was not only the world’s greatest artist but also one of the greatest men who ever lived.”

The villagers were afraid of Van Gogh, so they voted him out of town. The restaurant patrons in California were afraid of the mutterings of a woman with a mental illness, so they called the police.

That night, Elizabeth went into cardiac arrest for seemingly no reason at just 30 years of age. In the timeline of the Doctor Who episode, Van Gogh took his own life a few weeks after he saw his artwork immortalized.

Amy and the Doctor returned to the museum one last time, Amy hopeful that there would be hundreds of new Van Goghs hanging in the gallery. There were none. The timeline had not changed, but there was something different about two of the paintings. The monster from the church window was gone, and across the vase for the sunflowers is scrolled, “For Amy, Vincent.”

Vincent’s gift to Amy reminded me of something Elizabeth’s mom told me the week after Elizabeth died. “She had photos on her when she passed. Photos of you and her together.”

Amy had her painting. I have the knowledge that time and space could not change how Elizabeth and I loved each other.

Vincent’s suffering paralleled with Elizabeth’s in so many ways. Amy’s hope and desire touched on mine. This beautiful telling of the final days of Vincent Van Gogh and the terribly painful mental illness he suffered frees my heart to weep.

“No new paintings. We didn’t make a difference at all,” Amy concluded.

“I wouldn’t say that,” the Doctor responds. “The way I see it, every life is a pile of good things and bad things…The good things don’t always soften the bad things, but vice versa, the bad things don’t necessarily spoil the good things or make them unimportant. And we definitely added to his pile of good things.”

You did make a difference, Amy. For Vincent and for me.


If you or someone you know are struggling with mental health, please find helpful resources below:

  • Lifeline Crisis Chat:
  • Crisis Text Line: Text REASON to 741741 (free, confidential and 24/7)
  • National Suicide Prevention Lifeline: 1-800-273-TALK (8255);
  • Suicide Prevention, Awareness, and Support:

Rita Juanita Pike is the granddaughter of aviatrix, Jerrie Mock, first woman to pilot an airplane solo around the world. Rita has taken inspiration from her grandmother’s life and flight and pursued many of her own dreams in theatre, podcasting, novel writing, and cooking up delicious food from around the world. She now writes on food, travel, pets, faith, and the arts. She’s happily married to Matt, and faithfully serves the very fluffy kitten queen, Lady Stardust.

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Rita Mock-Pike


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