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On the Origins of Modern Biology and the Fantastic: Part 18 — Nalo Hopkinson and Stem Cell Research

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Kelly Lagor

Recovering scientist, writer, musician.

Kelly Lagor lives in San Diego, is a writer and a graduate of the Viable Paradise workshop, and plays guitar, banjo and ukulele in the band Kalashnikov My Wife. The Tor.com original short story “How to Make a Triffid” is her first published story.

Author photo by Natalie Kardos.

Website

lagoraphobia.com

Latest from Kelly Lagor

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Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 18 — Nalo Hopkinson and Stem Cell Research

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Comment number: 5
Use of Weapons book cover
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic — Part 17: Iain M. Banks and Genetic Engineering

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Comment number: 5
First edition cover of Neuromancer by William Gibson
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 16 — William Gibson and the Human Genome Project

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Comment number: 5
Screenshot of Yoda in The Empire Strikes Back
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 15 — Star Wars and Polymerase Chain Reaction

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Comment number: 2
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 14 — Octavia Butler and the War on Cancer

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Comment number: 6
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 13 — Ursula K. Le Guin and Lynn Margulis

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Comment number: 7
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 12 — Philip K. Dick and Sydney Brenner

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Comment number: 4
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic : Part 11 — J.G. Ballard and the Birth of Biotech

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Comment number: 2
Books
science and the fantastic

On the Origins of Modern Biology and the Fantastic: Part 10 — Ray Bradbury and Mechanisms of Regulation

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Comment number: 2
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“A profound love between two people involves, after all, the power and chance of doing profound hurt.”

Ursula K. Le Guin, The Left Hand Of Darkness

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