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Five Fantasy Books with Awe-Inspiring Settings

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Five Fantasy Books with Awe-Inspiring Settings

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Five Fantasy Books with Awe-Inspiring Settings

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Published on October 12, 2015

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In the best fantasy novels, settings are characters too. These created worlds are as rich and alive as the characters that inhabit their colorful landscapes. Of course characters — strong and fascinating ones — are integral to a compelling plot. But a great setting adds layers of dynamism and complexity to characters’ struggles. It’s Middle-earth and Westeros, Oz and Earthsea, Pern and Amber, and all the other fantastic worlds we love to inhabit which mold and shape the characters moving inside them into something greater.

The most memorable fantasy worlds feel as if they are real places that we’ve visited. In fact, we have visited them, in our minds. This is why we build interactive maps of Kings Landing, why we feel the hot ashen winds of Mordor on our cheeks, and why we can still taste the Mad Hatter’s tea on our lips.

Here are five fantasy novels with fantastic, awe-inspiring settings that have stuck with me long after I’ve read them.

 

The Fifth Season by N.K. Jemisin

fifth-seasonIn Jemisin’s latest novel, we are thrust into the world of The Stillness, a mammoth supercontinent that, contrary to its name, suffers from massive, semi-regular earthquakes and environmental catastrophes every few hundred years. One would think that in such a world, life would be extremely difficult, and you’d be right. The novel’s three main characters — Essun, Syenite, and Damaya — are as shaped by the changing landscape as much as the landscape shapes their world. But what’s most interesting about this book is how these women have the power to alter their landscape, for good or for ill, through magic. It’s truly an awe-inspiring setting.

 

Perdido Street Station by China Miéville

perdido-streetBy all accounts, Miéville’s New Crobuzon should seem familiar to any city dweller: corrupt government officials, crowded street corners, dark alleys, a seedy underbelly, and a working-class center to drive it all. But what makes Perdido Street Station so fascinating is how Miéville takes these familiar elements and makes them utterly alien. There are the cactus-like Cactacae, cockroach-like Khepri, bird-like Garuda, half-human-half-machine Remade, and many more strange creatures who inhabit this world. But it’s the throbbing and pulsing city of New Crobuzon that is the most interesting character of them. The real protagonist in Perdido Street Station is New Crobuzon.

 

Updraft by Fran Wilde

Updraft SweepstakesIn Wilde’s Updraft people live in giant towers of living, growing bone that rise above the clouds. On artificial wings, they fly between the towers or they walk rare connecting bridges of sinew. The towers are haunted by skymouths, creatures invisible until attack. And the city is defended by the Singers, who want Kirit, the main character, to join their secretive order. The setting doesn’t serve as a mere backdrop for Kirit, but affects her every decision. Flying well among these towers of bone is the difference between life and death. A landscape as wondrous and mysterious as any I’ve encountered in a long while, Updraft definitely has an awe-inspiring setting.

 

The Palm-Wine Drinkard by Amos Tutuola

palm-wineIf you haven’t encountered Amos Tutuola’s 1952 novel, go to your local bookstore or library and request it now. It is not like anything you’ve ever read. Growing up in Nigeria, Tutuola was raised by Christian cocoa farmers and went to school for only six years, because he needed support his family financially after his father died. Heavily influenced by the Nigerian Yoruba folktales, The Palm-Wine Drinkard was the first African novel published in English outside Africa. It recounts the story of a man who is addicted to palm wine. When his brewer dies, he becomes desperate for more wine and sets off for the “Dead’s Town” in order to bring the brewer back. He crosses frightening landscapes and meets terrifying supernatural beings along the way — all to get more wine! Some may be put off by the modified Yoruba English that gives his prose a raw quality, but others have said this connects the reader more closely to the Yoruba folktales on which the novel is based. Either way, you’ll never read a book quite like this.

 

The Swamp Thing, Vols. 1-6, by Alan Moore

swamp-thingI’m going out on a limb and adding a graphic-novel series to this list. Much has been said about the mad, literary genius of Alan Moore. Often it’s his Watchmen, V for Vendetta, or The League of Extraordinary Gentlemen that get spoken about the most. But his run of Swamp Thing stories were some of the best fiction in any medium I’ve ever read. In “My Blue Heaven,” the earth elemental Swamp Thing creates an entire society on an empty blue planet out of his memories, only to tear it all down when he recognizes its unreality. In “Down Amongst the Dead Men,” the Swamp Thing descends into a version of Dante’s hell to rescue his lover, Abby Arcane, journeying through bizarre, nightmarish, and psychedelic settings worthy of any big-budget Hollywood film, but with a delicate care and sharp intelligence seldom seen in any medium. Enormous credit must be given to the artistic team for creating as colorful and eye-popping settings as any I’ve seen in graphic fiction.

 

Top image from The Saga of the Swamp Thing #6, art by Rick Veitch and Alfredo Alcala.

Matthew Kressel is a multiple Nebula Award-nominated author and World Fantasy-award nominated editor. His debut novel King of Shards comes out October 13, 2015. His short fiction has appeared in many venues, such as Lightspeed, Nightmare, Clarkesworld, Beneath Ceaseless Skies, io9.com, Apex Magazine, Interzone, and other markets. With partner-in-crim Ellen Datlow he hosts the Fantastic Fiction at KGB reading series in Manhattan. Find him online at matthewkressel.net.

About the Author

Matthew Kressel

Author

Matthew Kressel is the author of King of Shards and Queen of Static, and is a World Fantasy Award finalist and multiple Nebula Award finalist. His short fiction has appeared in many publications including Clarkesworld, Lightspeed, Nightmare, io9.com, Beneath Ceaseless Skies, Apex Magazine, Interzone, the anthologies Cyber World, Naked City, After, and many other markets. He co-hosts the Fantastic Fiction at KGB reading series in Manhattan with Ellen Datlow. By day he codes websites, and by night he recites Blade Runner in its entirety from memory. He lives in New York City. Find him online at www.matthewkressel.net and @mattkressel on Twitter.
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av willis
9 years ago

Roshar, anyone? 

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9 years ago

A couple of my favorites:  M.A.R. Barker’s Man of Gold and sequels, set in his magnificent, complex and intricate world of Tekumel, and Michael Reaves’ Shattered World and Burning Realm, both set amidst the floating fragments of a world that was, yes, shattered by a magical cataclysm.

Valan
9 years ago

Happy to see both Perdido Street Station and Updraft on this list. Updraft’s setting in particular is just awesome as hell.

I would add Sanderson’s Mistborn, that setting is absolutely its own character. Or multiple characters.

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Adam H
9 years ago

I second Roshar.

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olethros
9 years ago

How about the sentient vegetable world and sentient robotic comet, both immediately following My Blue Heaven in Swamp Thing.

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Admin
9 years ago

I’m going to throw the Malazan universe by Steven Erikson and Ian Cameron Esslemont in the hat. I can’t offhand think of any other fantasy universe that has the same level of scope and detail, both geographically and chronologically.

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Jim Stewart
9 years ago

For Whom The Sleigh Bell Tolls

The Palm Wine Drinkard sounds really cool, and I’ve never heard of it. I wonder if that’s where they got the Roger subplot in the American Dad episode of “For Whom the Sleigh Bell Tolls?”

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9 years ago

@@@@@#6 Tolkien’s Middle-earth comes to mind.

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Queen MyrdemInggala
9 years ago

Olaf Stapeldon’s Nebula Maker is one world that is totally outre – it’s the world of protogalaxies in conflict before the end of the Dark Ages. Have you read it? I encountered it after reading Arthur C Clarke’s Against the Fall of Night, and finding that he regarded Olaf Stapeldon as one of his primary inspirations.

Mayhem
9 years ago

Fantasy settings which inspire awe.  Hmm, they are a lot rarer than SF settings to do the same.  Lots of *moments* of amazement, but the settings themselves tend to be relatively straightforward.

The Spiral, from Michael Scott Rohan’s series of the same name.  
A world beside our world, where you can sail from Huy Braseal to the castles of Siegfried.

The Morgaine Saga, CJ Cherryh.  
The concept of world spanning gates, and a fateful quest to close them all before disaster comes back down the line.

The Black Company, Glen Cook
The history of the Dominator and the Lady, the sheer devastating power of the Taken. And Old Father Tree, a god as a prison.

Erna, from C.S. Friedman’s Coldfire trilogy.
A world where the environment is sensitive to thought, and belief can manifest.  Faith has power, but nightmares are real.

Athera, from The Wars of Light and Shadow by Janny Wurts.
A blighted realm, trapped in an eternal malevolent fog, unable to see the sun.   A Compact between Humanity and the Elder Races, safeguarded by a fellowship of mages.  Elemental mage gifted brothers, cursed to long life and eternal enmity, and a conflict that plays out across the generations.

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9 years ago

Oh, I’d also have to throw in Edgar Rice Burroughs’ Barsoom — the worldbuilding itself may have been somewhat slapdash, but still:  Dead sea bottoms.  Sixteen-foot-tall four-armed green warriors camped in the ruins of cities abandoned a million years or more ago.  Great aerial navies clashing in the skies.  It pushes pretty much every single button I have.

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i can't think of an alias
9 years ago

Here’s a couple: The Land in Donaldson’s Covenant series (an early departure from elves and dwarves) and Niven’s the Integral Trees, which is based in a gas torus, a ring of air around a neutron star. Though technically science fiction, the Niven book is a very cool exploration of growing up and evolving in zero gravity.

I am showing my age, since the most recent of these was published in 1984.

Braid_Tug
9 years ago

@1&4 – Definitely Roshar

And Narnia anyone?

Not to knock Updraft, but hasn’t it only be out 2-3 months?    So it sounds a little odd to talk about book settings “that have stuck with me long after I’ve read them” – when the book is so new.

 

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Peter D
9 years ago

Well, if comics examples are fair game, then I can only assume this is as well (there were books made from it, after all), and I’ll name one of my favorite fantasy settings from a (tabletop) RPG, the Planescape setting. 

The basic planar makeup is nearly as old as D&D itself (and of course, individual planes are based on much older mythologies and beliefs about the Afterlife), but making them a setting that things happen, where you can visit endless wind-filled caves that can drive people mad in Pandemonium or travel across a cube in Acheron and hope it doesn’t collide with another cube while you’re there, at least on the face you’re on, to the clockwork universe of Mechanus to Asgard or the Beastlands…. all that variety’s great, but the centerpiece of the setting was Sigil, a city on top of an infinitely tall spire in the center of the Outlands (the Neutral plane), built on the inside of a ring and where every archway might be a portal to anywhere else in the multiverse, if you have the right key, ruled by factions that embodied strange philosophies that their own belief makes true and watched over by an enigmatic Lady of Pain… and, at least at first, fabulously illustrated by Tony DiTerlizzi… when I first found that it grabbed onto me by the sense of wonder and has never successfully let go.  Sure, it was just one of many setting for the most overmarketed RPG looking to squeeze more money out of people… but it’s MY setting for the most overmarketted RPG and it squeezed a lot of money out of me, and I don’t regret a cent of it.  (Well, maybe the Faction War, that was the beginning of the end of the awesome)

Anyway, we need a companion article for SF settings now.

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Tim Lieder
9 years ago

Great list. Although I would agree on only the first five volumes of Swamp Thing in the Alan Moore era. But the sixth volume Chester the Hippie had taken over the comic.