Skip to content

Locus Magazine: Helping Us Find Ourselves

1
Share

Locus Magazine: Helping Us Find Ourselves - Reactor

Home / Locus Magazine: Helping Us Find Ourselves
Featured Essays Locus Magazine

Locus Magazine: Helping Us Find Ourselves

Locus is a map connecting us to our community, and they need our help.

By

Published on May 22, 2025

1
Share

I grew up reading Gardner Dozois’ Best Of anthologies, but had no idea that the vibrant Philadelphia speculative scene thrived only a short train ride from my high school. Finding anything beyond my local bookstore (it was an amazing place) and library (ditto) that connected my love of science fiction and fantasy with community was difficult, in part because I didn’t know where to look. Granted, I was trying to do this before social media or even fan boards were very common (*sounds of dinosaurs roaming the land*). 

Once I found those, I discovered online writing workshops, Viable Paradise, and Locus Magazine, and the world opened up.  

When someone is new to a city, or even returning to a familiar city that has changed in the time since they last lived there, finding one’s way is sometimes a funny, complex thing. There’s either so much to look at, so many signs and directions, or not enough. Even with a phone and a favorite wayfinding app, it’s disorienting. Plus, one might wonder if they’re missing a lot of the good stuff—the places and people only the locals know about.

Same thing goes for finding our way through genre communities, it turns out. Even for those of us who’ve grown up reading Best Of anthologies, and maybe even those who were practically born at a con, navigating the ever-changing speculative community sometimes feels like a job all on its own. 

For those of us who love it here, it’s a complex job, especially as many online wayfinders and apps grow less and less useful for finding our way.

Locus—for me—is a map to us. It is, and has been for many years, a way to find out about new authors and imprints, new events, new opportunities. It is a chance to cheer for friends and peers when their faces appear in the pages, to read about what inspires a writer or an editor, and to watch our layered community grow and change.

From its gorgeous covers to its reviews and the in-person moments (interviews, meet-ups, those amazing photographs of conventions), Locus staff and creators are out there making sure we see ourselves, stay informed—and even find ways to connect on deeper and better levels. They do interviews, take photos, remind us (thank you, Arley) to respond to that questionnaire, and treat our work and us with the care of cartographers. 

As a teacher, I recommend that my students investigate the (deeply discounted) student subscription, just to get an idea of the lay of the land. I ask them to check out the profiles of authors they’ve never read before within the pages of a back issue. I suggest they pick an event listing and try to go. Using a Locus subscription is a professional skill, and I want them to acquire it early. 

Taken month-by-month, the editorials and articles, the classifieds, and everything in between, is a vital guide to the community. Taken as a whole, over the arc of its ongoing history, Locus is a visceral meta-map of who we’ve been and who we can become. 

Locus is important to me because it is our community’s map to us. And every time I open it, I find new places I want to explore. icon-paragraph-end


Locus Magazine is running their annual fundraiser from May 5th to May 31st. Go here to donate, subscribe, or get one of their amazing donation gifts.

About the Author

Fran Wilde

Author

Fran Wilde won a 2015 Nebula Award for her first novel, Updraft; she completed the trilogy with Cloudbound and Horizon in 2017. Her debut middle-grade novel Riverland won a 2019 Nebula Award and was named an NPR Best Book of 2019. The middle-grade novel The Ship of Stolen Words appeared in 2021 and books in her Gemworld series with Tordotcom have been nominated for Nebula, Hugo, and Locus awards. Wilde’s short fiction has appeared in Asimov’s, Tordotcom, Beneath Ceaseless Skies, Uncanny Magazine, and multiple year’s best collections. Her nonfiction has appeared in The Washington Post, The New York Times, NPR, Tordotcom, and elsewhere. The manag­ing editor of The Sunday Morning Transport, Wilde holds an MFA in poetry and an MA in information architecture and interaction de­sign. She teaches for Vermont College of Fine Arts and has been waiting her whole life to write a Mon Mothma story.
Learn More About Fran
Subscribe
Notify of
guest
1 Comment
Oldest
Newest Most Voted
glch
glch
1 year ago

Locus is a treasure. Thanks for writing this.