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FX’s Adaptation of Octavia Butler’s Kindred Is Officially a Series

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FX’s Adaptation of Octavia Butler’s Kindred Is Officially a Series

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FX’s Adaptation of Octavia Butler’s Kindred Is Officially a Series

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Published on January 11, 2022

Image: Tina Thorpe/FX
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Image: Tina Thorpe/FX

Here’s something exciting to pencil in on your list of upcoming shows to watch: FX has ordered its adaptation of Octavia Butler’s Kindred to series. The show has been in the works for less than a year; it was announced last March that the network had ordered a pilot for a potential series. Key cast and crew were brought on quickly, with director Janicza Bravo coming on to handle the pilot episode and Mallori Johnson tapped to star.

Kindred, which was originally published in 1979, is the story of Dana Franklin (Johnson), a young Black woman who finds herself mysteriously—and repeatedly—transported to the antebellum South. A press release for the adaptation explains:

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Kindred
Kindred

Kindred

FX’s adaptation of Kindred is centered on “Dana” (Johnson), a young Black woman and aspiring writer who has uprooted her life of familial obligation and relocated to Los Angeles, ready to claim a future that, for once, feels all her own. But, before she can get settled into her new home, she finds herself being violently pulled back and forth in time to a nineteenth-century plantation with which she and her family are surprisingly and intimately linked. An interracial romance threads through her past and present, and the clock is ticking as she struggles to confront the secrets she never knew ran through her blood, in this genre-breaking exploration of the ties that bind.

Branden Jacobs-Jenkins (Watchmen) is showrunner, writer, and executive producer for Kindred, which has among its producers Darren Aronofsky (The FountainBlack Swan) and The Americans creator Joe Weisberg. Along with Johnson, the show stars Micah Stock (Bonding), Ryan Kwanten (True Blood), Gayle Rankin (GLOW), Austin Smith (Hamilton), Antoinette Crowe-Legacy (Passing), and David Alexander Kaplan (Creepshow).

Kindred is the first of several currently in-the-works Butler adaptations to move from “in development” to “there’s a cast and a pilot and it’s really coming to a screen near you.” Dawn is in the works at Prime Video, with Ava DuVernay and Victoria Mahoney developing; and the streamer also announced an adaptation of Wild Seed, with Nnedi Okorafor and Wanuri Kahiu writing.

No release date has been announced for the eight episodes of Kindred just yet. Maybe put a big KINDRED sticker on your calendar so you can move it to the right date when the time comes.

About the Author

Molly Templeton

Author

Molly Templeton has been a bookseller, an alt-weekly editor, and assistant managing editor of Tor.com, among other things. She now lives and writes in Oregon, and spends as much time as possible in the woods.
Learn More About Molly
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3 years ago

OMG!!! I”m so excited for this!
I finally pulled this book off the TBR pile, and devoured it in a day and a half at Christmas! I can’t wait to see it on the screen!

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Dan in Seattle
3 years ago

Probably her most accessible book, and one that is taught in schools.  Good choice.  This should bring more readers to Butler’s work who might not normally read SF or fantasy.

Elzabet
3 years ago

Why does everything have to be a freaking romance? Tell me they didn’t read the novel without telling me they didn’t read the novel. It’s not a romance story. It’s a story of a modern day woman who must travel back and forth through time to protect the enslaver who rapes her ancestor so that she can exist. How in the world is that romantic? WHY?? The book is fantastic on its own, why shove “romance” into it?

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Rowan Tommins
3 years ago

Did you somehow miss the fact that Dana is married to a white man, much to the disapproval of both of their 1970s families, and leading to some *extremely* uncomfortable situations when they’re thrust into a world where he has to pretend to own her as a slave? The romance between them, and how their experiences shape it, is a huge part of the narrative.

I found that reading it some four decades after it was written led an interesting extra layer, that the racial issues of Dana’s (and Butler’s) present were in themselves a look at a previous time. I wonder how they’ll deal with that in the adaptation – bring Dana and Kevin’s relationship into the twenty-first century, or treat it as a double period piece, showing the state of civil rights in the late 1970s?