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Battle of the Network Fairy Tale Shows: Once Upon a Time vs. Grimm

Battle of the Network Fairy Tale Shows: Once Upon a Time vs. Grimm

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Battle of the Network Fairy Tale Shows: Once Upon a Time vs. Grimm

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Published on October 25, 2011

Remember the show The Charmings? You know, that 80s sitcom where Snow White and Prince Charming live out of their element in modern times after Snow’s wicked stepmother puts a curse on them?

Well now, there’s a new show called Once Upon a Time! A show where Snow White and Prince Charming live out of their element in modern times after Snow’s wicked stepmother puts a curse on them!

Um.

There’s also a new show called Grimm, in which a whole mess of fairy tale characters live in modern times!

Fairy tales are back, mofos! And they’re back in modern times.

Snark aside, both shows have a lot to offer the genre, and are certainly less hokey than their 1980s predecessor. Starting Monday, I’ll be reviewing the shows side-by-side, giving each a score, and declaring the Television’s Best Fairy Tale Show at the end of the season. (Assuming they both last that long!)

THE STATS

Once Upon a Time

The Story: Snow White’s wicked stepmother isn’t too happy with Snow’s happily ever after, so she puts a curse not only on Snow White and Prince Charming, but on all of the fairy tale characters as punishment. They’re banished to the modern-day town of Storybrooke, Maine; a place where time never passes, and none of its inhabitants remember who they are. Emma Swan, a bail bondsperson, holds the key to breaking the spell, but she doesn’t know it.

The Pedigree: The show was created by Lost writers, Adam Horowitz & Edward Kitsis . Jane Espenson serves as a co-executive producer, and Damon Lindelof is a consulting producer. The strong, high-profile cast features Ginnifer Goodwin (Big Love, He’s Just Not that Into You), Jennifer Morrison (House M.D, How I Met Your Mother), and Robert Carlyle (SGU, 28 Weeks Later).

What to Expect: It’s from writers on Lost, so what else? Flashbacks! Also, lots of great costumes, spectacle, and a female-dominant environment that balances the magical and romantic with action and storybook violence.

 

Grimm

The Story: Portland detective, Nick Burckhardt, has been noticing strange things. When the aunt who raised him falls ill, she comes to him to explain them, telling him that fairy tales aren’t stories, they’re warnings, and that he is descended from a long line of grimms, people with the unique ability to see the true natures of the fairy tale beings that live among us in the real world. He begins to used his newly-discovered ability to solve cases and keep evil at bay.

The Pedigree: The show was created by Angel writers, David Greenwalt and Jim Kouf. The talented cast includes relative newcomers to television David Giuntoli and Bitsie Tulloch as well as more well-known faces from TV like Russell Hornsby (Lincoln Heights) and Sasha Roiz (Caprica).

What to Expect: A police procedural with a twist. Dark and gritty in order to reflect the darkness of the original Brothers Grimm stories, but not without humor. The male-dominant environment the show creates is tense, suspenseful, and sometimes frightening.

THE CRITERIA

Every week, I’ll be grading each episode out of a total of 10 based on the following categories:

Script: How’s the storytelling? The script structure? The dialogue? Does the story/script surprise me?

Performances: Are the actors believeable? Do they show range? Do they keep me engaged?

Production: The costumes, the effects, etc. How does the show look? How effectively does the look of the show mesh with the other aspects of the storytelling?

Representation: How are social and ethnic minorities represented? Are the casts multiracial? Are there lots of female characters? Do they have characters of different sexual orientations? Are differently abled characters represented? Are there varying body types? Are there characters of various ages?

Audience Engagement: The most subjective and broad of my categories. This is where I’ll score everything from how the shows are marketed, whether the shows are using social media effectively, to whether I think the episode would be entertaining to a casual viewer. Is the audience actively engaged?

Each episode will be graded in each category from 0-2, and then each category will be added up for the show’s grand total for the week. Weekly totals will be added throughout the season, and the show with the highest score at the end of the season will be declared Television’s Best Fairy Tale Show.

The winner will receive, um, something. There will be acknowledgement of some kind. I’ll figure it out!

Once Upon a Time has already premiered, and the first episode can be viewed at ABC.com. Grimm premieres this Friday, October 28th on NBC at 9PM ET.


Teresa Jusino would never marry a guy just because he woke her up by kissing her, or found her shoe. She can be heard on the popular Doctor Who podcast, 2 Minute Time Lord, participating in a roundtable on Series 6.1. Her “feminist brown person” take on pop culture has been featured on websites like ChinaShopMag.com, PinkRaygun.com, Newsarama, and PopMatters.com. Her fiction has appeared in the sci-fi literary magazine, Crossed Genres; she is the editor of Beginning of Line, the Caprica fan fiction site; and her essay “Why Joss is More Important Than His ‘Verse” is included in Whedonistas: A Celebration of the Worlds of Joss Whedon By the Women Who Love Them, which is on sale now wherever books are sold! 2012 will see Teresa’s work in an upcoming non-fiction sci-fi anthology. Get Twitterpated with Teresa,“like” her on Facebook, or visit her at The Teresa Jusino Experience.

About the Author

Teresa Jusino

Author

Teresa Jusino was born the day Skylab fell. Coincidence? She doesn't think so. A native New Yorker, Jusino has been telling stories since she was three years old, and she wrote a picture book in crayon in nursery school. However, nursery school also found her playing the angel Gabriel in a Christmas pageant, and so her competing love of performing existed from an early age. Her two great loves competed all the way through early adulthood. She attended NYU's Tisch School of the Arts where she majored in Drama and English Literature, after which she focused on acting, performing in countless plays and musicals in and around New York City, as well as short films, feature length independent films, and the one time she got to play an FBI agent in a PBS thing, which she thought was really cool, because she got to wear sunglasses and a dark suit and look badass. Eventually, producing was thrown into the mix. For four years, she was a company member and associate producer for a theater company called Stone Soup Theater Arts. She also produced a musical in which she also performed at Theater For the New City called Emergency Contraception: The Musical! by Sara Cooper, during which she ended every performance covered in fake blood. Don't ask. After eight years of acting, Jusino decided that she missed her first love – writing – and in 2008 decided to devote herself wholly to that pursuit. She has since brought her "feminist brown person" perspective to pop culture criticism at such diverse sites as Tor.com, ChinaShop Magazine, PopMatters, Newsarama, Pink Raygun, as well as her own blog, The Teresa Jusino Experience (teresajusino.wordpress.com), and her Tumblr for feminist criticism, The Gender Blender (tumblwithteresa.tumblr.com). She is also the editor of a Caprica fan fiction site called Beginning of Line (beginningofline.weebly.com), because dammit, that was a good show, and if SyFy won't tell any more of those characters' stories, she'll do it herself. Her travel-writer alter ego is Geek Girl Traveler, and her travel articles can be followed at ChinaShop while she herself can be followed on Twitter (@teresajusino). Her essay, "Why Joss is More Important Than His 'Verse" can be found in the book Whedonistas: A Celebration of the Worlds of Joss Whedon By the Women Who Love Them (Mad Norwegian Press). In addition to her non-fiction, Jusino is also a writer of fiction. Her short story, December, was published in Issue #24 of the sci-fi literary journal, Crossed Genres. A writer of both prose and film/television scripts, she relocated to Los Angeles in September 2011 to give the whole television thing a whirl. She'll let you know how that goes just as soon as she stops writing bios about herself in the third person.
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