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The Walking Dead S2, E8: “Nebraska”

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The Walking Dead S2, E8: “Nebraska”

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The Walking Dead S2, E8: “Nebraska”

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Published on February 13, 2012

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The Walking Dead returned on Sunday after a brief winter hibernation, and I’m not gonna lie, I actually kinda missed it. The show is a massive hit for AMC even if critics and anyone with an internet connection and an opinion are less than thrilled with many of the lackluster scripting and plotting choices—a feat made more impressive given that we’re stuck in an age where networks like NBC struggle to get 2 million viewers for one of the top ten best shows on TV, i.e. Community. But whinging about how Rick is boring and Lori is a soul-killing cipher and Shane is a walking definition of a douchecanoe and why won’t someone give Daryl a spinoff where he wanders the South crossbowing zombies in the face and being gloriously awesome is sooo 2011. With the midseason premiere of “Nebraska,” TWD roared into the Valentine’s Day weekend with an episode full of piss and vinegar. And corpses. So many corpses.

In a way, “Nebraska” functioned a lot like TWD does as a whole season: fantastic beginning, dull-as-nails middle, fantastic ending. Episode 8 picked up immediately where episode 7 left off, and while the cold open and opening scene weren’t the greatest, they did their jobs well enough. Except for the whole thing where one of the zombies wasn’t dead but instead of shooting her with all those guns they had not 30 seconds before everyone just stood around screaming and looking aghast. But since we got to see Andrea killing it with a scythe, it all worked out for the best.

After the slaughter, Shane went stomping about spreading testosterone everywhere, Carol did some very angry weeding, Rick glowered a bunch, Lori was the worst, Daryl did some hardcore whittling, Glenn and Maggie made puppy dog eyes at each other, whoever those other blonde people were hanging around Hershel’s farm did some fainting and wailing and whatnot, Andrea et al. burned some zombies, and T-Dog had more than one line. Okay, so it wasn’t entirely meh. I’m just used to complaining about the student-film level dialogue and the ludicrously awful choices made solely as plot contrivances. “Nebraska” had a hefty dose of each, but overall the show worked.

One of the things TWD has never been very good at is touching on the day-to-day aspect of living in the end of times. It’s not always fraught glances, laundry, and being on the lookout for walkers. There’s also digging mass graves and cremations. None of that was very interesting on the surface, but in the grand scheme of things it gave them all a sense of purpose beyond wild goose chases. For the first time in ages they had a set, concrete goal—do what needs to be done and sort out the ethics later. This gave them a sense of solidity and solidarity, something that’s been sorely lacking thus far. Everyone will eventually have to sort out who stands on what side of the moral fence, but arguing philosophy doesn’t deal with the fact that there are a bunch of rotting corpses baking in the sun that someone has to take care of. It doesn’t change the fact that the world has gone to hell and good people are going to die. It doesn’t change the fact that the living can be just as vicious and callous as the undead.

The Walking Dead S2, E8:The biggest problem in the show continues to be Lori, and not just because the writers don’t know what to do with her. She seems to exist only to create dramatic tension by either giving the opposite opinion to anything any other character has said, or making rash and incredibly stupid choices with catastrophic consequences. I just don’t understand the logic of her running after Rick. They’d been gone, what, 30 minutes? An hour tops. Beth wasn’t going anywhere, so what’s the rush? Lori first nagged and engaged in a spat of contrariness with Daryl, meaning that her next scene was contractually obligated to include an impulsive and idiotic choice. For reasons known only to God and the showrunners, she decided that it was a good idea to sneak off and tell no one where she was going and then that she needed to consult a map—while still driving, no less—so she wouldn’t get lost on the ONLY FRAKKING ROAD leading to the ONLY FRAKKING TOWN. Choices she made specifically so she could hit a random walker who just happened to be out for a stroll on that particular patch of highway at the exact moment she looked away and then have the greatest overreaction of an accident in the history of televised car accidents. Can’t say I’m surprised, but ugh.

And then there was the scene in the bar. I’m not talking about all the yakkity-yak with drinky-time Hershel. That dialogue was practically drowning in the ethical morass I was just praising the second tier characters for avoiding. Peepaw was sad that his pie in the sky dreams of everything turning out to be kittens and unicorns got crushed so he picked up a drinking habit I’m pretty sure had never been mentioned before and made the bizarre decision to walk into town to get drunk (the same town that was so difficult to get to that Lori had to pull out a AAA guide). Of course, the only reason he does that is because the writers needed to introduce Tough Guy #1 and Tough Guy #2, thereby undercutting the whole scenario.

The verbal twister between Rick and Britt from Terriers (aka Rene from True Blood) made up for everything else. Tony was obviously a bruiser back in the day, but Dave was a man who knew how to lure in the gullible. There was a sinister veneer to Dave’s affable geneality, a friendliness that was a little too controlled, a little too intentional, a little too much. Rick quickly caught on to Dave’s tricky game of twenty questions and, to keep muddling this review with game metaphors, checked his every move. The shootout was inevitable, but in the space of a single conversation, our hero finally learned to do something heroic. Like his underlings, he found his purpose and accepted that this is a world where sometimes you have to get your hands dirty in order to survive. He was devastated when he had to re-dead Sophia, but braining Tony and Dave was cathartic and, dare I say, enjoyable for him. This is a protagonist I can get behind. Rick’s no Daryl, but fingers crossed he can sustain his bad-assery.

Final Thoughts

  • “Selfish? Listen to me, Olive Oyl, I was out there looking for that little girl every single day. I took a bullet and an arrow in the process. Don’t you tell me about getting my hands dirty. You want those two idiots? Have a nice ride. I’m done looking for people.”
  • “You people are like the plague!”
  • “There is no hope, and you know it now, like I do. There is no hope for any of us.”
  • “Ugly truth is there is no way outta this.”
  • Since when does any victim of an attempted rape describe her attacker as a hothead? Seriously? Oh, no, Dale, Shane’s not a psycho selfish jerkface asshat, he’s just got a bit of a temper is all.
  • For a man who never had kids, Dale is really good at the Disapproving Dad look.
  • Shane acts less like an alpha male challenging his pack leader’s authority and more like an overly hormonal high school jock beating up on the nerd to prove he’s tough.
  • How far away is this town anyway? Sometimes it’s so far that they have to ride horses or drive, and other times it’s close enough that an old man can shuffle down to the ol’ watering hole for a quick tipple.
  • You know, Lori, please and thank you go a long way when asking someone to risk their life playing errand boy for you.
  • If Daryl and Carol hook up, I’m gonna be mighty pissed. And not just because he’s mine.
  • I will not watch Comic Book Men for a variety of reasons, but mostly this.
  • As much as I love talking about upcoming eps or future storylines from the comics, please be a decent human being and preface your comments with a SPOILER warning. I’ll return the favor and try and keep the comics out of my reviews (unless it’s necessary).

Alex Brown is an archivist and reference librarian by day, writer by night, and all around geek who watches entirely too much TV. She is prone to collecting out-of-print copies of books by Evelyn Waugh, Jane Austen, and Douglas Adams, probably knows far too much about pop culture than is healthy, and thinks her rats Hywel and Odd are the cutest things ever to exist in the whole of eternity. You can follow her on Twitter if you dare.

About the Author

Alex Brown

Author

Alex Brown is a Hugo-nominated and Ignyte award-winning critic who writes about speculative fiction, librarianship, and Black history. Find them on twitter (@QueenOfRats), bluesky (@bookjockeyalex), instagram (@bookjockeyalex), and their blog (bookjockeyalex.com).
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13 years ago

They had been making Rick too much of a goody-goody for far too long now, giving Shane all of his edge. It’s about time they gave him something to do other than gripe about morals, argue with his wife and have one-way conversations with a radio.

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Theo16
13 years ago

I think Herschel drove there. When the two guys come in the bar they say something like “are those your vehicles out there.”

The Lori thing is extrememly odd. At the very least, they should have had the woman injure her head seriously to make it more urgent that she go find them. But of course, plenty of un-pregnant people are available to go… possibly in groups larger than a single person.

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13 years ago

Darn forgot it was on. Do they repeat it this week

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Late comer to the reviews/rewatchs/etc… and have never read the comic book series of the same name. So I guess it should be understandable that I am enjoying, overall, the tv version of TWD.

However, I did find Lori’s decision confusing, her clash with Daryl odd, and her flipping of the car prediticable. Did enjoy thoroughly the conversation Rick, et al have with the “How ya Doin'” Philly boys. Really liked that Rick knew where the conversation was going pretty damn quick.

Typical hero trope would’ve been to bring ’em along to the farm, get bretrayed, maybe some people die, and then come together & fight them off.

Also, I think the PtB at AMC need to adopt MI-5’s philosphy of having a moving cast. I’m sorry but if I’m in Glenn’s place & I find someone like Maggie in a relatively ‘safe’ area with fresh water & sustainable food, I’m staying when my ‘clan’ inevitably moves on. Why the hell would I do otherwise? Other than for plot purposes obviously.

One of the best things about MI-5 is that you really don’t know who is going to live or die. OK, sometimes it can be somewhat obvious. But characters, including main ones, come & go. The writers need to do that here.

I did actually enjoy CBM last night; I had never seen it before. However, if Ms. Gulliksen’s blog is even remotely accurate I am terribly disappointed. Good way to reduce your potential sales and help ensure that your store will go the way of so many other comic stores.

Kato

PS – @3Milo1313, I agree but don’t forget that our heroes are also shooting off rounds as if they have ready access to more.

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@Milo1313, thanks for the welcome. I kinda figured that’s how things might work in the comic. I understand the need for the stable cast; just as I understand that the captains of Star Trek would never do what they did (and it would be a much more boring show for that too). ;-)

The wasting of resources, however, isn’t too far fetched really. Look how quickly this country went back to gas guzzling limousines once OPEC lowered prices. Soon things will become much more scare & the truly hard choices will have to be made.

Sad about CBM then. I have a childhood friend who has inked for Swamp Thing & her art work for some Magic: The Gathering cards is still very popular. I also chat with some female cosplayers on Facebook & they know a hell of a lot more about comics than I do. So I don’t get the “Girls can’t ‘game’ or talk about comics” mentality.

Kato

PS – Am looking forward to whatever comes next, however. And future reviews as well.

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tigeraid
13 years ago

I’m hoping the payoff is Lori dying so we can be rid of her stupidness.

Other than that the episode was great. And I loved every moment in the bar. Rick is slowly turning toward the side of badass.

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13 years ago

I have mixed feelings about this episode, but that is usually my response to each given episode.

The beginning was OK; I liked picking right up from the final shot, but the way they tried to cover everyone’s response felt too scattered for me. I liked the zombie’s final moment as a awy to drive home the danger, but the chaos was overdone. Lori was a huge problem for me throughout this episode, not only inconsistent but random, reactionary, and a real diversion from the potential emotional heart of the episode, which I thought was the way a lot of characters hardened up and drew themselves apart. I liked how most of the group broke off to re-assess (in their own ways) what they were doing, even though some of that re-assessment felt a bit hollow.

I felt this in particular during the final scene at the bar, which was well-done but felt too brief for some reason. I think I was enjoying the chess game and was surprised by the ending. I’ve been wondering since then if Rick overreacted or not; I will probably see it again to get a better sense of the moment. It’s those moments of making hard choices that this series could do well if they’d just put more of them into the show.

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Eliss
13 years ago

Writer’s,please write a more concrete storyline! I know you have it in you.But,please,for the sake of all your wonderful and faithful viewers,please do justice to the characters.

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