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12 Poems That Break the Silence on Disability and Illness

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12 Poems That Break the Silence on Disability and Illness

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12 Poems That Break the Silence on Disability and Illness

Exploring the complexities of living with chronic illness and disability.

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Published on December 12, 2024

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November 14th through December 2oth marks Disability History Month in the UK, where I’m writing from. As a chronically ill writer myself, I thought this would make a fine opportunity to share and celebrate poems that centre disability and illness in their themes.

These poems are earnest, brutal, and sometimes hard to read. But they’re incredibly important, communicating experiences that are often talked-over and ignored. If you’re disabled or chronically ill yourself, you may resonate with what they have to say. (Or you may not—everyone experiences illness differently.) If you aren’t, I hope that these grant you insight into our lives. Frequently, it isn’t pity we are looking for: it’s empathy, and the right to take up space.

I’m rewatching the She-Ra episode where Glimmer gets sick for the first time” by Arianna Monet

and I keep mistaking the screen for a 
mirror. By which I mean, I too was once
adolescent and unconquerable:
purple hair; a body unmarked by pain.
Then, the bright unholiness of onset…

I haven’t watched She-Ra (yet), but the experience at the crux of this poem is one I can relate to intimately, as a young person whose health unexpectedly started to decline. There’s a kicking-and-screaming sort of defiance to the narrator’s words, a refusal to be happy about the situation, which simultaneously makes me feel heard and optimistic about carrying on.

“It’s going to hurt” by Sandra Simons

“Brave soul,” says the radio
“Beauty,” says the radio
“It had to be like this,” says the radio…

A more melancholy poem than the first, Simons’ verse follows its narrator in second-person through an unspecified and vaguely-alluded-to illness. Despair approaches, and is held at arm’s length with dark and speculative imagery.

ANAMNESIS” by Leslie McIntosh

Hidden chambers in the blood.

The staircase haunted by my own ghosts
that treat me lovingly, like a guest,
a family member from far away…

There’s a certain sense of reification—unfamiliarity with and estrangement from one’s own body, despite being unable to escape it—that McIntosh evokes beautifully in this poem. Anamnesis—the process of recollection—becomes an experience on a cellular level for the poem’s narrator.

The Moon and the Yew Tree” by Tory Dent

This is the light of the mind, cold and planetary.
The trees of the mind are black. Their irregular branches,
like broken arms backlit from MRI dye, offset by yearning…

Written in dialogue with the poem of the same name by Sylvia Plath—utilising excerpts and replying to them—Dent’s poem narrates in haunting verse the anxiety of a fatal illness. Diagnosed with HIV at 30, Dent knew this experience intimately and wrote of it extensively. Her second poetry collection, HIV, Mon Amour, pays it particular focus.

Self-Portrait as Self-Care Mantra” by Elizabeth Theriot

Head tilted back, eyes to the light, I squeeze single tears of moisturizer from the glass jar: forehead, cheek, cheek, a cross, martyr mystic blessing that promises to unblemish me…

We’re often told to take care of ourselves when we’re sick. But when you’re always sick, the tenets of self-care grow blurry and complex, identity-forming and identity-robbing. Theriot—who has an Ehlers-Danlos syndrome—explores the nuance of these feelings in this poem. In her essay “Common Surfaces,” published in the Crab Orchard Review, she says, “I want to keep up. I want to indulge in the full experiences of my life without injury or embarrassment. I don’t want to miss out, though I feel that I often have—that a sort of gilded normalcy exists right beyond the reach of my fingertips.” This is a sentiment I—and I’m sure many others with chronic health conditions—can relate to.

The Man with Night Sweats” by Thom Gunn

I wake up cold, I who
Prospered through dreams of heat  
Wake to their residue,  
Sweat, and a clinging sheet…

In simple, spare verse, Gunn evokes a uniquely isolating experience that comes with being ill: waking up alone and in pain. The title places distance between the narrator and his identity—“The Man with Night Sweats” sounds as though it refers to someone else—but that distance shrinks with every line.

Emerald Spider Between Rose Thorns” by Dean Young

How absurd
to still have a body in this rainbow-gored,
crickety world and how ridiculous to be given one
in the first place, to be an object
like an orchid is an object, or a stone,
so bruisable and plummeting…

In contrast with “The Man with Night Sweats,” “Emerald Spider with Rose Thorns” is baroque and maximalist in its use of language. Published in 2013, two years after its author received a heart transplant, there’s an air of disbelief and celebration in each word. But at the same time, a sharpened sense of vulnerability.

bad road” by Leah Lakshmi Piepzna-Samarasinha

Some times everything    everything
everything    every thing
hurts
like a church bell
like a call to prayer
and it calls me to pray
this pain
breathing into any place that doesn’t hurt…

There’s a particular anguish that comes when a loved one wants to help you with your chronic pain, only to realise that they can’t make it magically go away. Unlike an acute injury, there’s no remedy that will cause the symptoms to vanish; only methods of mediation and compromise that make getting through the day a little easier. On the loved one’s end, there can be denial. A desire to research, to say “well, maybe if you tried this…?”—because it’s hard to accept that sometimes things are just the way they are. And on the chronic person’s end, there’s almost a feeling of guilt: of failure, because these things haven’t worked and now their loved ones feel bad. It’s a complex situation, and Piepzna-Samarasinha captures that complexity beautifully.

Monster” by Jason Irwin

Priests
and soothsayers were summoned
with their incantations and blessings.
But the monster lived, consumed our lives,
and became something other —
a manifestation of our fears.

This striking poem makes use of Gothic imagery to explore the fear that comes with being seriously ill. The titular monster is a shifting thing, appearing wherever the narrator looks as the locus of his anxieties.

blood·sugar·canto” by ire’ne lara silva

this is what they will not tell you
and this is what you must know
if you hear nothing else i say
hear this
you cannot live in fear
you cannot heal in fear
fear will never make you stronger

Diabetes—according to these 2021 stats from the CDC—affects an estimated 11.6% of the U.S. population. Despite that, it’s a topic rarely explored in poetry. In bleak yet defiant verse, silva discusses the harsh financial realities that come with chronic illness—finding a hopeful note to end on.

Earth, You Have Returned to Me” by Elaine Equi

Can you imagine waking up
every morning on a different planet,
each with its own gravity?

Sometimes, there is a light at the end of the tunnel. A new medication proves effective after years of fruitless trial and error; symptoms go into remission; an accessibility measure is granted that immediately improves your quality of life. “Earth, You Have Returned to Me” captures that feeling in exquisite fashion.

A Body’s Universe of Big Bangs” by Leslie Contreras Schwartz

Even while the body sleeps, a jaw slackened
into an open dream, inside is the drama
of the body’s own substances meeting

Examining the body on a cellular level, Contreras Schwartz meditates on the million complexities that allow us to exist, however imperfectly, as humans in the world. This poem is a reminder that the body is a miraculous thing.

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About the Author

Holly Kybett Smith

Author

Holly Kybett Smith is a writer and a recent graduate in MA in Victorian Gothic. A keen lover of historical and speculative fiction, she specialises in all things dark, whimsical and weird. Her work has been featured in Issue #2 of the New Gothic Review.
Learn More About Holly
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