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Forensic Folklore: Sarah Pinsker’s “Where Oaken Hearts Do Gather”

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Ruthanna Emrys

Ruthanna Emrys lives in a mysterious manor house in the outskirts of Washington DC with her wife and their large, strange family. She makes home-made vanilla, obsesses about game design, gives unsolicited advice, occasionally attempts to save the world, and blogs sporadically about these things at her Livejournal. Her stories have appeared in a number of venues, including Strange Horizons and Analog. Ruthanna Emrys lives in a mysterious manor house in the outskirts of Washington DC with her wife and their large, strange family. She makes home-made vanilla, obsesses about game design, gives unsolicited advice, occasionally attempts to save the world, and blogs sporadically about these things at her Livejournal. Her stories have appeared in a number of venues, including Strange Horizons and Analog.

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Safer Meat: Amanda Downum’s “The Tenderness of Jackals”

Cribbage and Elder Gods: Manly Wade Wellman’s “The Terrible Parchment”

Beware the Crib: Ray Bradbury’s “The Small Assassin”

Don’t Talk to Strangers After All: Shirley Jackson’s “The Witch”

One Channel and Literally Nothing On: Jerome Bixby’s “It’s a Good Life”

Comment number: 53

Henry James is Not Amused: Gertrude Atherton’s “The Bell in the Fog”

Comment number: 15

National Disturbing Poetry Month: H.P. Lovecraft’s “Nemesis” and Gemma Files’s “Haruspicy”

Comment number: 13

Two Households, Not Exactly Alike in Dignity: Caitlín Kiernan’s “Love is Forbidden, We Croak and Howl”

Comment number: 5

Rules for Healthy Relationships (with Deep Ones): Shibata Yoshiki’s “Love for Who Speaks”

Comment number: 7
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