Welcome back to the Malazan Reread of the Fallen! Every post will start off with a summary of events, followed by reaction and commentary by your hosts Bill and Amanda (with Amanda, new to the series, going first), and finally comments from Tor.com readers. In this article, we’ll cover chapter three of Ian Cameron Esslemont’s Orb Sceptre Throne.
A fair warning before we get started: We’ll be discussing both novel and whole-series themes, narrative arcs that run across the entire series, and foreshadowing. Note: The summary of events will be free of major spoilers and we’re going to try keeping the reader comments the same. A spoiler thread has been set up for outright Malazan spoiler discussion.
Note: Amanda is on an editing deadline and will post her comments later!
CHAPTER SUMMARY
SCENE ONE
Ebbin has breakfast, thinking how he’s been starting to feel almost as much a prisoner as a protected employee these past few weeks with Humble Measure’s guards (including Scorch and Leff), led by a Captain Drin, around. Today, for the first time, Drin and some guards are going to come down to the excavation, much to Ebbin’s dismay.
SCENE TWO
In the dig, Drin notes that all but one of the vaults had been opened, but the body with the and the 12th tomb hadn’t, as if the looters had been interrupted. As they remove the door of the final vault, Ebbin for the first time notices that it looks like it, and thus the others, had perhaps been pushed out rather than pulled out. Inside the tomb is a huge inhuman corpse, with taloned hands and feet. Ebbin catches a glimpse of a shining stone, and then, a yell comes from the open chamber where the masked body was fighting the guards. The body grabs one guard, pulls the mask off of its own face to reveal rotted flesh, and then slowly presses the mask onto the guard’s face. The body then disappears and then the dead guard rises and repeats the process with the other guard. Drin holds out for hours, but eventually is taken by the mask and now becomes the body on the stone table. Ebbin decides to leave.
SCENES THREE — SIX
Scorch and Leff spar over who lost the job with Lady Varada (Vorcan). The old hag who cooks warns them she sees bad things coming and gets mocked for her troubles. Ebbin climbs out and tells the guards what happened. They tell him to show them and he’s forced into it. They go down, and Ebbin almost immediately comes back up alone. He tells Scorch and Leff (the only two left) to stay at the site, and that he is going to Darujhistan. They’re interrupted by the appearance of a young girl (Taya) who calls Ebbin “Uncle” and says there is some sort of connection between them. She whispers in Ebbin’s ear that someone (Aman) wants to hear what he’s found down there. Scorch and Leff are about to object, and Ebbin stops her from killing them. The two of them leave, with Scorch and Leff saying how the girl had reminded them of Lady Varada. They leave too.
SCENE SEVEN
Picker, Spindle, and Blend have observed all this. Picker marks the well with a Malazan marine code, but then the lid gets blasted off and a masked figure climbs out and walks “regally” toward the city. The marines decide to give him “Plenty of room.”
SCENES EIGHT — NINE
Ebbin walks in a daze, seeing strange images, such as a domed palace or temple, flaming ruins, etc. They meet Aman, who keeps checking behind them. Ebbin, still seeing the images of Imperial Darujhistan laid over the current city worries he’s going mad. They go to Hinter’s Tower and meet the ghost there. Hinter says “they’d” though Aman dead. Aman asks if everything’s ready, and Hinter says yes, since he had not choice. They discuss how “he” is coming. Aman says there is “always a way. If it is nearly impossible to break in—then perhaps one must reverse one’s thinking.” He apologizes to Hinter, adding “No one has ever escaped him.” When Hinter says one did, Aman replies that he never believed that story.
SCENE TEN
Spindle, Blend, and Picker follow the masked figure into town past a bunch of seemingly crazed residents—weeping, seeing things, lying as if asleep. The gatehouse guards have all been killed. Spindle points out something in the sky.
SCENE ELEVEN
Aragan is woken up with the news that the Moranth are fleeing the city. Heading outside, he catches sight of the Quorl lying west. He orders the garrison roused.
SCENE TWELVE
Blend says she’ll stick close to the masked figure, now heading to the Estate District while they tag farther behind. Spindle hands her some munitions.
SCENE THIRTEEN
An old witch yells out “Almost now! Almost!” then starts throwing up.
SCENE FOURTEEN
Chillbais, Baruk’s demon, sees something and thinks, “Oh no. Nonononononono. Not again!” and heads off to tell Baruk “that most unwelcome word.”
SCENE FIFTEEN
Rallick tells Vorcan of the killing in the Gadrobi district, and she asks if he thinks she did it on the side. He says he doesn’t know who did it, and she goes to bed. When he finally joins her, he thinks how she’s been sleeping badly lately. After a while, she starts speaking some strange language, then wakes to look out on the city. He lays a hand on her shoulder and then is suddenly burned as she reacts to something, saying, “No, how could.” She tells him to leave and not try to contact her, demanding he promise not to do anything—nothing—no matter what happens.” Shocked at seeing fear in her eyes, he agrees. Rallick leaves.
SCENE SIXTEEN
Looking out over the city (two layers of it), Baruk wonders if “he” waited until Rake was gone. He frees Chillbais, telling him his service is over, but the demon wonders to do what or go where? He hides in a chest.
SCENE SEVENTEEN
Aman, Taya, and Hinter wait atop Despot’s Barbican, with Aman holding Ebbin tight. Looking down, Ebbin hears Aman say, “Father. We remain your faithful servants.” Aman tells Ebbin to stand, and he faces the masked figure. The other spread out to prevent interference, leaving Ebbin and the figure alone. The masked figure gestures, and Ebbin realizes he’s been holding the strange glowing pearl from the tomb this whole time. Ebbin fears what he’ll be asked to do, then has an epiphany: “A pale circle. A pearl . . . of course! It was so obvious. He would have to warn everyone.” His thoughts are interrupted by the masked figure.
SCENE EIGHTEEN
At Vorcan’s/Varada’s, Madrun and Lazan Door’s dice game is interrupted by screams. They rush to help but Studlock tells them the Lady has said she is not to be disturbed as she is ill or in “withdrawal.” He leaves to prepare some medicine.
SCENE NINETEEN
Baruk is interrupted in the middle of performing a ritual/spell of some sort. His arms burst into flame and his hands become taloned claws as he seems be yanked by some force and pulled toward the burst-in door.
SCENE TWENTY
Rallick meets Kruppe at the Phoenix Inn. Kruppe says they should drink to the “inevitable.” They open a bottle Kruppe says has been saved for just this occasion, but it’s empty. Though then Kruppe wonders if it was never full to begin with.
SCENE TWENTY-ONE
The old witch says “now is the time” and crawls inside her shack, clutching a bag.
SCENE TWENTY-TWO
Aman, Taya, and Hinter return to the masked figure and are surprised to see Ebbin still lives. They’re told he will “speak the Father’s will.” They’re interrupted by the appearance of Baruk (called Barukanal) who is dragged up the street to them. When Taya asks about the others, Hinter says they seem to have so far “eluded the Call.” When Taya asks what’s to be done with Baruk, Ebbin speaks, saying he’s to be punished. They look up in the sky.
SCENE TWENTY-THREE
Jan, in what he thinks is a dream, hears a voice calling him and sees his old master wearing a coarse wooden mask. Then that image explodes and he sees another wearing a golden oval. Jan finds he has no choice but to bow.
SCENE TWENTY-FOUR
Jan wakes and meets with the ruling group, who all say they felt it too. Jan orders the ships prepared.
Bill’s Reaction
I like how Drin was at first seemingly going to be a regular old flunky, maybe a cruel guy even, but Esslemont then gives him some personality and ability: the way he notes the state of the tombs, his strength, his apology to Ebbin just before the attack, the way he forestalls the inevitable, his final look at Ebbin. It’s a nice bit of minor character work.
Maybe they should have listened to this old witch (is this the old witch from later? I wasn’t 100% sure, but thought it was because of the reference to smoke)
I have to say, I don’t quite get Ebbin’s action upon arriving at the top. Why not say what happened down there? It isn’t like these people live in a world without sorcery, undead, strange things happening, etc. Sure, if these guys had been roughing him up this whole time or something, maybe a macabre revenge, but his not telling them and bringing them down to certain death didn’t make sense to me (not to mention risking himself), unless the magic is already working on him, which isn’t quite made clear here (in my mind at least). The timing of his second return also struck me as weird—how were the other guards (the two he went back down with) killed so fast and so silently? Certainly they wouldn’t have just headed out without prodding Ebbin in front of them. This whole bit was just a little too muddy for me.
I like this constant overlay of one version of the city over the other.
Hmm, so who is the mysterious person who may or may not have survived this mysterious masked figure? And who is right—Aman or Hinter—in terms of whether that person did survive or not?
We’re getting a lot of set up/reaction to this return (and it’s clear it is a return)—the witch, Chillbais, Hinter and his group, Vorcan (do we believe Rallick can do nothing?), Baruk wondering if this is yet another ripple of Rake’s absence.
I think by now (hope by now then—apologies if this is jumping the gun) that we can say this is the fabled return of The Tyrant from Darujhistan’s past. Here are a few of our comments re the Tyrant from our earlier rereads:
- Baruk and Hinter the ghost converse at Hinter’s tower. Hinter says the return of the Tyrant would mean his enslavement
- Baruk asks leave to put Chillbais on Hinter’s tower, to warn if any of those trying to resurrect the Tyrant attack the ghost:
“Tell me, do the Tyrant’s children still rule Darujhistan? The Tyrant’s army still holds sway in the city, then?” “Who? We have no army.”
“Brilliant insanity! No Seguleh in the city?”
“No! Just stories, legends I mean.”
“So where are my masked stick-pivoting compatriots hiding?”
“An island… ”
“Now the sense of it comes to me. They are being held in readiness… Paranoid mages! Crouching low, lest the Tyrant returns, as one day he must. Returns, looking for his army!”
- Baruk tells Chillbais to fly to Derudan and invite her to counsel with him and Vorcan. The demon leaves and Baruk thinks of how Vorcan has left only the three of them to stop “if we can, the return of the Tyrant.”
- OK, the Tyrant is the past horrific ruler of Darujhistan, after Raest, who confusingly was also called, as many Jaghut were, a tyrant. Derudan was a witch and with Baruk and several others was part of the magic group that was sort of a shadow power in Darujhistan (the T’orrud Cabal)
- “There were servants hidden in the city, and they were even now at work. To bring about a fell return, to awaken one of the Tyrants of old.”
So now we can see perhaps why Baruk wasn’t so much looking forward to the Tyrant’s return. I love his underplayed “blast” when he gets yanked out of his house (and his human form).
So we’ve seen Baruk yanked by “the Call,” Vorcan screaming in her estate, and wait, this old witch? That might be a clue.
And I think we can guess where the Seguleh might be going…
Bill Capossere writes short stories and essays, plays ultimate frisbee, teaches as an adjunct English instructor at several local colleges, and writes SF/F reviews for fantasyliterature.com.
I feel like this is a good chapter for many reasons. There are many moving parts, several characters are learning or realizing new things, old characters are revisited, powerful new forces are gathered, etc. etc.
On the other hand, this chapter also illustrates a weakness of these books shared by both ICE and SE, although perhaps slightly more obvious in the ICE books. That weakness is a flatness to the characters. Because there are so many characters, and because we have so many viewpoints, and because we have so many storylines intertwined, it is difficult for the reader to perceive much depth in the characters.
Many of the characters are very cool, and many of the characters are very poignant, but for me, I don’t have much to grab onto in terms of the individuals portrayed. I feel a bit like a cat trying to latch onto a steep incline with my claws, only to find that the incline is marble rather than wood.
I feel like I want to identify more with the people in the story, but our time with each character is very brief, and the “voice” used for each character is very similar. This seems to jump out at me, or that I am experiencing more, on a second read of the text.
Hello. I’m new to this re-read, but I find it very enjoyable and very well worked out. May I ask, perhaps once you’re done Esslemont’s series, will you be doing Erikson’s short stories and prequels as well? Thank you in advance, and keep up the good work.
Welcome Marc! How far we go will be up to our Tor overlords, but we’ve always talked about doing everything set in the Malazan world if our readers are up for it.
personally i just love the atmosphere that ICE creates around these scenes, it’s almost the perfect mixture of revelation and mystery, although that offhand comment about the story aman never believed feels a little too opaque, and off the top of my head i can’t remember if it’s made clear, exactly, who this refers to. the scenes in the tomb are quite good horror. the inexorable revenant is done very well, and also brings up the terrifying question of just what kind of being we’re dealing with.
“The Call” is an interesting component, since it seems to reach all the way to the Isle of the Seguleh, and it gives us the reminder that the cabal is not truly human, if the last body in the crypt was not hint enough.
Note Jan’s instinctive horror at finding that in his dream he had no choice but to kneel to the gold-masked figure. Note how the vision disrupts a vision of the shame of the Seguleh personified in the last First. a telling juxtaposition perhaps.
I’m enjoying this book more the second time around.
The beginning scenes with Ebbin in the tomb are some of my favorites in the book. The image of the corpse transferring the mask to the victims stayed with me long after I finished OST the first time, and it still holds up for me. I agree with your criticsm’s Bill, but we’ve mentioned ICE’s prowess for horror throughout the reread and I think these scenes are really effective.
@Kulp
I love the Seguleh so the Jan storyline was my favorite but I agree, Ebbin’s scenes in the tomb are some of the best scenes that ICE have written. Since him and Erikson are archaeologists (I think) helps add to the feel of Ebbin in the tombs which I think is why these scenes are written so well.
Not much to say on this chapter except we’re getting more sense of impending dread from the Baruk and Vorcan scenes. Secondly, I always love me some Rallick.
Also, fellow re-readers, I didn’t mention this in the previous chapter but during your read through, did you ever get the sense that Malakai was actually Possum? Someone mentioned it once on the Malazan boards and then while I was reading I couldn’t stop thinking it. Just a thought, probably wrong lol.
@6
Brys, I am pretty sure that Malakai is not Possum, but another character from the SE books.
But I can’t remember how to hide spoilers, so I will post it in the Spoilers Thread 2.
My comments:
Well, this is the second time that someone has mentioned those Twelve Fiends in relation to this tomb that Ebbin persists in exploring (even with the awful creepy figure that is down there). I wonder if the Twelve Fiends thing is an introduction to them making an appearance, or if it is designed to take us off the correct track.
And more ominous words: “Like they was interrupted, maybe” or “Perhaps they meant to return to finish the job – but never made it back.” All suggests this tomb isn’t the one to go exploring in.
And there we go. Sinister mummy figure sucking the life out of people and generally being scary. And what was that stone in the chest cavity of the remaining corpse in the twelfth tomb?
This is some excellent writing. I am so tense as I read about Drin trying to escape his inevitable fate, and then there is a genuine feeling of sorrow when you realise that his is now the body lying on the plinth. Curious as to how Ebbin escaped the same fate? Because he hid?
Ah, familiar faces in Scorch and Leff – and doing just as good a guard job here, eh?
Wow, Ebbin, way not to be endearing as you take those two guards to their certain death! Although how does he get the figure in the golden mask to kill them? Especially since he wandered around there before without it making any moves – it seems that it only comes to life when the tomb is disturbed, and how would Ebbin make the two guards disturb it without the figure killing him as well? Seems like this is one of those points where you don’t want to look too closely.
And now the Malazans have watched a masked and cloaked figure emerging from Ebbin’s well. It’s pretty unnerving to see Malazans say that they intend to give him plenty of room!
Poor Ebbin. It seems he is now under some kind of influence, and it sounds as though his chances of escaping the masked figure are slim to none (have I mentioned how this is very much like The Mummy, where Imhotep seeks out all those who disturbed his tomb and sucks them into dust?)
This is some really great scene setting, as we see the marketplaces completely silent, and people facing the walls, weeping. It gives a real sense of power and cruelty to this masked figure. And then seeing the Moranth fleeing the city? It says everything about this when Aragan orders the soldiers to full alert.
What is going on with Vorcan? That sudden injection of heat when Rallick touches her; her sudden urging that he leaves and cuts all contact with her? What does she know, and is it related to the mysterious figure who has entered the city?
Uh, not quite sure what is going on in the scene with Ebbin, the masked figure and the pearl – does the figure want Ebbin to eat it?
Huh, so Vorcan has managed to avoid the Call to the Tyrant, but Baruk hasn’t?
And are the Seguleh heading to take down the Tyrant? Or to join with him?
Yeah Amanda, tense reading… ICE is really good at that.
Remember that Ebbin avoided entering the room-in-the-room where lay the masked figure ? He didn’t understand why previous looters didn’t take the obviously precious golden mask, but he refrained from taking it himself. I guess all the guards weren’t that reticient, with their macabre deaths als consequence. They weren’t able to leave that room once they entered it.
And you raise a good final question. We will see…
Mods @7
I see the link to the spoiler thread leads to the old, closed one. I checked and it does so for some weeks. Could you restore it/use the correct link in the next posts? Thanks!
SamarDev @10: Thanks very much for letting us know! I’ve fixed the link on this and the previous few posts, and we’ll be sure to use the correct link on upcoming posts, moving forward–sorry about that!