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Hitchcock’s <i>The Birds</i> Welcomes Us to the Abyss

The SF Path to Higher Consciousness

Screenshot from Alfred Hitchcock's The Birds, depicting a mass of crows roosting on a jungle gym and other structures.

Hitchcock’s The Birds Welcomes Us to the Abyss

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Essie Davis and Noah Wiseman in The Babadook

The Babadook Knows Terror Has No Boundaries

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A scene from The Venture Bros. episode "Spanikopita"

The Venture Bros.’ “Spanakopita!” and the Desperate Quest for Joy

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Scene from The War of the Worlds (2019, BBC): an alien tripod looms over a church tower and a human figure.

The Timely “Why” of The War of the Worlds — From Wells and Welles to Pal and Spielberg

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Carl Kolchak (Darren McGavin) drives a pale yellow convertible in an image from the television series Kolchak: The Night Stalker

Kolchak: The Night Stalker’s “Horror in the Heights” Misdirects in Many Dimensions

Images of Bella Baxter (Emma Stone) in Poor Things and The Female (Scarlett Johansson) in Under the Skin

Poor Things and Under the Skin Try to Make Sense of Sensuality

Asher (Nathan Fielder) and Whitney (Emma Stone) in a scene from The Curse

The Curse’s “Green Queen” and the Plight of the Sacrificial Lamb

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Scene from Terminator 2: Judgment Day: A T-800 model terminator holds a machine gun; a fiery explosion is visible in the background.

Terminator 2: Judgment Day and the Line Between Symbiosis and Singularity

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Doppelgangers Number 6 (Patrick McGoohan) and Number 12 (Patrick McGoohan) meet in The Prisoner, "The Schizoid Man"

The Prisoner’s “The Schizoid Man” Doubles Down on Imposter Syndrome

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Spielberg’s Jurassic Park Reshaped Our Dance With the Dinosaurs

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A Monster Calls Knows the Truth That Terrifies Us

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Wes Anderson’s Asteroid City Tests the Boundaries of Dreams

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